Check out the setup (20 seconds)
Features
- The amp lays back approximately 39 degrees from the vertical axis, for direct ear shot.
- Leans further back than conventional stands.
- The amp goes beyond its center of balance.
- Maximized propagation of low frequency waves, since the amp is low to the floor, rather than being elevated with a metal bracket.
- Use a compact "goose neck" mic stand with floor pedestal, rather than a boom stand.
- Fits small amps with one 12 inch speaker. Larger size for 2-12 inch speaker amps may be available in the future (prototype works).
- No fragile or moving parts.
- No metal bracket to carry around or store.
- Excellent test candidate for the Samsonite luggage gorilla.
Fits most any 1 x 12 amp (units = inches):
Model
Wide
High
Deep
Back edge of amp to center line of handle
B52 (company) [Max size]
22.25
19.5
11
5.5
Fender Blues Junior
18
16
9
4.75
Fender Frontman II 25R
17
15.5
8.25
4.75
Fender Hot Rod Deluxe
23.5
18.75
10.5
n/a (check your amp)
Fender Princeton Reverb
20
16.5
9.5
4.5
Marshall AVT 150
23.5
20
11.75
6
Peavey Bandit
22
18.75
10
4.75
Peavey Classic 30
19
16.5
9.75
5
Peavey Classic 50
26
19
10.5
5.5
Vox AC15 Custom Classic
22.76
17
10
5.5
Vox AD50VT
22.76
17
10
5.5
Yamaha DG60 FX-12
20
18
11
5.75
Crate CA 30D (acoustic)
13.5
14
9
4.5
About the creator
David Patrick designed the first prototype around June of 2004, and later filed for patent in May of 2005. He is looking for manufacturers and buyers! Visit his home page at classicjazzmusic.com.
